ColorViews Blog 

Here we are in Boston, chilly and rainy. Finally, some water–it’s appreciated. But thinking of colors today, here’s a bit of what comes to mind:

Remember “Don’t Worry, be Happy?”  Sometimes hard to do these days, but looking at this helps make it  possible!

Happy Bike!

In case you can’t read the fine print, the saying on the bike is this (and please note: it’s NOT a typo)!

HAPPY LIFE
Benny present mellow breezy cycle to you!
Happy Life match your good sense!

In a different medium, it’s inspiring to look at and handle the beautiful wool and silk colors, and all manner of paint and surfacing colors. Here are few of the silk poms that I enjoy using with other materials in developing designs for Silk Road Weaves Tibetan rugs.

Here come the silks!

Speaking of materials, mixing colors  has always been a pleasure.  Whether it’s using fine pastels–basically ground pure pigment–or liquid tints for any medium from varnish to paint, colors always give a lift.

Love that Mixol!

Inspiration for interior and exterior color decisions, and for many color design projects, often comes from the materials themselves.

Best wishes for a Happily Inspired  Colorful Day with many more to come!

We’re familiar with the ‘old song’ about  the difficulties that can occur getting 2 people who share a home to agree on design decisions.

As pleased as I was to be asked to consult with the owners of a historic Boston co-op building, I was equally aware of the challenges in satisfying the requirements of a group of property-owners sharing a very real interest in the same building.  The subject of my work for them was to create a new color palette for the lobby and vestibule of their  1924, “classic Old-Boston” building in the historic heart of Boston.

Historic Building in Boston

The Challenge.
My first meeting with the property owners included at least one person representing each unit. After our introductions, we had a vibrant dialogue that consisted primarily of their expressing personal likes and dislikes. Starting with the existing bright yellow in both the vestibule and the lobby itself, opinions were effusive and diverse!   “I Hate Yellow! “  “I’d Kill for Yellow!”

First view upon arrival

Well, the fact is that the existing color Was yellow, in the lobby area as well as the entry vestibule. The dialogue continued, then, with a review of the purpose of my working with them and defining the goals. Having listened to…and Hearing…their concerns, I described the approach I would take to meet the goals.

The Process.
Basically, it came down to “what is best for the building will be best for the group.”  This is a good example of communicating when it’s necessary to leave the individuals’ strongest color preferences in their own interior spaces. As a core belief I hold for this kind of situation,  it was my consistent emphasis at that time and throughout the entire extended process of the renovation.

During that first day, I selected a variety of colors to create an overall palette direction. I focused on a range of warm and cool “earth-tones” with a few accent colors as options to consider.

The points that were the focus of my approach in meeting their requests included:

• Make the most of the beautiful, historic building.
• Classic colors that suit the building. A palette that’s distinctive, not “ordinary.”
• Focus on the architecture.
• It’s often about moving beyond what is currently there, what we’re used to seeing. Change can be traumatic.
• What’s the experience we, and others, have when coming into–and leaving–the building?
• Respect for and reflection of the quality and style of the current panel murals. Not matching, rather enhancing and supporting.
  

The Spaces.
I was asked to consult about paint colors for “a lobby.” When I arrived at the site for our first meeting, I discovered something a bit more complex. Yes, only two spaces–not one. But what a pair!

Timing is important!
Because the color selections were just one part (but, a critically important part!) of the process of the extensive renovation of the space, it was good to be brought in at the beginning of the process rather than right before the painters were to start. I visited the site throughout the construction process for color-plan reviews with the group’s point person. Actually sometimes 2 or 3 people met with me but that was a good thing to continue to communicate and confirm our direction and the ultimate selections.

After developing the main palette for the two spaces, which included a variety interesting, yet conservative, colors, they asked me to add an alternate palette they described as “bolder, brighter, and  ‘cheerier’.'” Remember, they are coming from …bright yellow.

Entry vestibule
Coming in from the street, the vestibule has some natural light–but of course being very dimly lit at night with limited light sources. Lots of an almost-pink color marble, high ceiling, beautiful black, wrought-iron crafted doors. Bright yellow walls!

The Lobby Area
A long, narrow rectangle – you enter on the long side. At each end of the room there’s an entrance to an individual condo. Each of the upper stories of the building has only one unit per floor. The walls are divided into sections with moldings framing mural panels. The walls below the chair-rail molding are divided in the traditional manner with sectioned frame-style molding.

Yellow walls, overhead fans with lights, and 2 table lamps make the yellow walls even more glaring

The Murals.
As it happened, and what came out in conversations, people had reactions to the murals that were as strong as their feelings about the current yellow wall color!  Some of the owners even said they had never really liked the murals.

But most were wanting to keep them, so the questions became:  How to select a color that will support the hues and tone of the mural panels, yet not have to “match” anything there?

One of the mural panels, with yellow walls and white trim

Near the murals, the space called for a particular color type.
The lower part of the wall had some other requirements because it was adjacent to the marble (same as vestibule) as baseboard, with a multicolored stone floor that had very different color indications.

Even though I intended to keep all the background wall colors very “neutral,” personally I thought that it could be interesting to pick up one or another of the mural colors in an accent…even a very thin pencil-outline around the mural frame, as if using a fillet in the mat and framing of artwork. I still think this would have been an interesting way to make the murals be more like individual fine art pieces, since they were each already framed as if they were individual paintings.

We also briefly considered a variety of decorative treatments that would have been completely appropriate to the space, the history,  and the architecture, but budgetary considerations brought us back to the paint-only model.

The Floor.
In any location the floor is usually a large portion of visible surface. Even with furniture in a room, it’s a big consideration in any space because, after all, it is at the base of what every other surface relates to in some way, either perpendicularly or parallel.

Stone floor, in reality it's much more attractive than when it reflected yellow from the walls

In this case, the floor was a very distinctive coloration when you look closely at it. Some very deep green-black tones as well as the more warm, sandy colors made up the stone floor that at the time of our meeting was mostly covered in a strong, dark green utility rug.

The Stone.
In the entry vestibule, we have an entirely different situation for materials.Well, not 100% different—because the marble that was used in this area was also, as it happened, used in the lobby area as the baseboard.

Because of the large portion of this marble, and also a granite landing at the head of the steps going into the lobby, I wanted to introduce a slightly different combination of colors in the Entry vestibule. I looked for colors that would visually connect with—not isolate from—the actual lobby, yet using I wanted colors that were also more appropriate to the lighting and materials in this area specifically.

Vestibule marble is the same as baseboard in lobby

One of the parties had  a personal request to see something like a very pale pink on the walls with a grayish greenish white on the trim–or even perhaps perhaps a stronger color like “a soft orange, with a cream trim.”  She mentioned it being difficult for some people to go from bright yellow to “gray,” so they wanted to see a brighter, more vivid, option. Having no problem with this I did present another palette that would also represent the goals for this space. Ultimately they selected one of the original color combinations.

The Lighting.
Knowing that there would be an entirely different lighting setup once the construction was done–yet working in a very yellow, low-light situation during the entire paint specification process, was interesting. It required quite a bit of imagination and awareness of the impact of lighting on how color will really ‘look’ in a particular area under different conditions.

I had no real examples of the  specified lighting, where I could refer to my actual painted color cards for a representation of my palette in the renovated space. I just knew somewhat the type and basic “color” of the specified lighting.  It was helpful to consult with the lighting designer for this project, Doreen LeMay Madden of Lux Lighting Design, about what I might expect, in general, from the lighting plan she had created for this space.

Getting Married
All these elements that were not really so noticeable at first glance, with the overpoweringly hued yellow walls and the inadequate lighting. But when you take away the distractions of the extreme yellow and the green rug, the marriage had to go forward into a future of the two spaces having compatible and complementary, harmonious existence!

Ellen Kennon Full Spectrum Paint helps it happen!

View from entry vestibule into the lobby

Lobby and murals view.

A client comments, representing the group:
“The colors look very very nice!
I would say the overall response has been good! No major complaints at all, and most of us feel it looks clean, sophisticated, but still traditional. The gray appears much more blue /gray – almost lavender, which I personally like.

Mentally, it is hard for a few to see that the gray is actually lighter and brighter than the previous yellow but I think they are adjusting to that, however , the new pendant lights and the full spectrum paint will in the end make the lobby lighter and brighter – perhaps not as  ‘cheery’ anymore, but very pretty.”

It’s True
Change can be hard. Any color scheme that we have lived with for many years can, even with a desire to change, be a hard thing to give up. Even if we Love the new colors, it can be hard. Put that together with a group of individuals who each needs to participate in the process (it’s their home after all, even if it’s the lobby), and the issue is communication as well as color! With an office building it’s less about the individuals and more about what the owner needs to accomplish.

The Results!
Happy Building, Happy Clients!
A “spokesplace” so to speak, for the unique qualities of Ellen Kennon Full Spectrum Paints.

Are you ready for this?

Beadwork and Painting of the Ndebele women.      Click on the image to go to our Design Library, where you can order this book.

Decorative, functional and symbolic, the art of the tribal Ndebele women of South Africa continues to amaze us with its beauty, simplicity, and drama.

This book was first published in 1986. Many of the buildings shown are no longer standing, giving us even more reason to appreciate these amazing painted dwellings and the people who created them.

I could not say it better, so will quote from the statement of Nadine Gordimer on the book’s flyleaf.

“Margaret Courtney-Clarke’s book is a revelation…of a glorious continued existence, under the most destructive forms of physical and psychological hardship imaginable, of an artistic culture at the very center of life itself.  The art of the Ndebele women is uniquely rooted in that guardianship; its canvas is the shrine of the home, where children are conceived and reared and family life is housed in the spirit.  The beauty of this book is unsurpassed in its combination of content and meaning. Its art is also the art of life.

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Believe it or not, I can actually be a bit reserved.

But now that I’ve seen other people call it “magic,” I will come out from behind my little curtain and say… “Yes!”

Actually, when clients become exuberant about “my magic paints” I’ve always replied,” Well, maybe not ‘magic.’  Maybe it’s Physics and Artistic Vision.”  OK, that’s my pragmatic side speaking.  But, however you want to describe it, Full Spectrum is a wonderfully beautiful and–dare I say it–the Most FUN and inspirational way to work with paint color!

Architect and interior designer Richard Morrison is also an enthusiastic advocate of Full Spectrum color, with Ellen Kennon Full Spectrum Paint as his stated favorite.  He describes it like this: “For many people, the difference between standard paint and full spectrum paint is like night and day.”

I could not agree more!

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