Case Studies 

In this section: a more in-depth view on a variety of  commercial and residential exterior and interior projects, and rug design. The focus is on sharing the featured project’s client requirements and goals, design approach, methods and solutions, results, and responses.

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Asking the right questions

How to listen: Take a tip from Joseph Albers
Good teaching is more a giving of right questions than a giving of right answers.”

Among the many “what’s the first step” items in the process of a new client-relationship, asking the right questions is at the top of my list.

Of course this also goes for any project, even with people we think we know, since each project carries its own set of circumstances. That’s why I love the above statement by Josef Albers.

Warming up with Red Clay from EcoHues Full Spectrum Paint

While creatively problem-solving, opportunities to learn—and to teach—abound in every project

  • Help clients discover their own personal design styles
  • Introduce new concepts and ideas
  • Interact with clients in an authentic way
EcoHues Full Spectrum Paint - Atlantis and Blue Grotto

“Atlantis,” an EcoHues Full Spectrum color, is on the back wall of dining area and continues into the foyer that is visible from the dining room.

 

Soft full spectrum colors, kitchen view into family room

Rich soft colors enhance—and subtly define—three connected spaces, with 3 different close colors.

One example, from a client’s note to me
“…you helped take the confusion out of color selection process and opened up our eyes to color choices we never would have thought of using.  We appreciated how easy it was to work with you, and how carefully you listened to our wants and needs.”

It just takes practice!
As artists and designers, it’s so easy to become excited about a project and about our own approach and inspirations. The practice is in listening, and advising while not imposing our personal preferences. It’s really all about the goal for every client.

I’d love to listen. What is your story?

2 Comments »

Make it easy? Texture and finish variations create interest.

Connect and coordinate a simple color palette with collaboration, colors, and textures.
Sometimes it’s easier than others, and sometimes it just Looks easy! Carefully considered wall finishes and coordinated custom rugs can help. Collaboration gets it done.

In this Boston high-rise condo, to create a backdrop for stronger colors we used a neutral-based color palette in custom finish of textured walls, with custom Tibetan rugs.

rugs from Silk Road WeavesHand knotted rug: 100% wool. All custom Tibetan rugs shown are from Silk Road Weaves.

I’ve worked in tandem with Boston-area designer Cynthia Brumm, of SpaceDesign, on a number of projects. Here, Cynthia was the lead and she asked me to create wall finishes and rug designs. In addition to designing custom pieces for this client, Cynthia selected beautifully vibrant furnishings to complement the owner’s existing pieces.

Dinign room rug from Silk Road Weaves

Existing dining room furniture is beautifully complemented by GEO-Borders in wool and silk, from Silk Road Weaves

Cynthia also designed this dramatic console cabinet in a beautiful dark wood finish.

TV cabinet

Cabinet design by Cynthia Brumm. Artisan wall finishes by Barbara Jacobs Color and Design

Custom wall finishes in an architectural, low-profile texture provide a beautiful backdrop for the custom rugs from Silk Road Weaves.

Runner version of Geo from Silk Road Weaves

The adaptable nature of GEO from Silk Road Weaves becomes a runner in 100% wool, and complements the living room and dining room rugs, also from the GEO group.

The wall finishes are the same throughout the main open areas: Entry, Hallway, Living room, Dining room.
Kitchen and powder room are different.

custom wall finishes by Barbara Jacobs

Powder room features walls having a soft bronze layered glaze. Wall finishes by Barbara Jacobs.

The overall effect is comfortable, yet stunning, with a dramatic view overlooking the city.

view of boston

Yes, there is a view of Boston!

All images by Barbara Jacobs.

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“Yellow,” she said! And, 3 tips for exterior color selections.

It’s not often that a client is adamant about a house color. At least not to the extent of being so fixed on one color family that all others are not available for consideration.

With that caveat, I began to look at various yellow paint colors for the exterior of a Victorian home in a Boston-area suburb.  Not only was the only option to be “Yellow,” but the painting was going to be done by an area company specializing in a ‘never-paint-again!’ method, and so it had to be the right yellow to last…and last…and never be changed.

Back of house view - Before painting

One view, from the back of house, "before." Note existing color-testing by the owner, on the siding

Originally built as a single family house, as were most structures of this general style, this house has been made into apartments.

Original colors and some testing

Stuck on Yellow, the owner had done a few swatch tests and come up "empty."

The house was already yellow…

The house was already mostly yellow

Before: looking for the right change to make the difference

Selecting a different yellow for the body, with a more subdued color for the doors and an earthy color for porch floor and steps, was not a huge color change but it was a significant one overall.

The new palette: Sherwin Williams colors

  • Body: SW 6374 – Torchlight
  • Shingle accent:  SW 2817 – Rookwood Amber
  • Window and door casing trims, and stair risers: SW 6372 – Inviting Ivory
  • Porch floors and stair treads, front and back: SW 7053 – Adaptive Shade, a stoney gray
  • Front and back doors: SW 6278 – Cloak Gray, a deep plum

    Sherwin Williams Colors

    The palette: all from Sherwin Williams. Note: your monitor will not look like mine so please get the actual paint colors to test them.

Newcolors, almost done - but lacking the detailed accents

New colors, almost done - but lacking the detailed accents

I had specified Rookwood Amber to be used on the details of millwork as well, which would have been a lovely detail, and would not have appeared over-decorated. Some of the column detail was done, but other details that were to have been done on the peak trim and some of  the other decorative millwork would have completed the picture.

Ultimately of course it’s up to the homeowner, who is the person hiring the painting contractor. Sometimes the finishing touches are omitted due to the budget constraints and the result, even if beautiful, seems to be missing something.

Three quick tips

  • In homes with architectural detail, consider using color in the architectural details as a way to add balance and refinement. “Painting out” the detail sometimes works but the inclusion of the right, subtle color can make a world of positive difference in the overall appearance of your home.
  • Even a simple color change can make a big difference. In this case, where Yellow was the only color family considered, it was a matter of getting the right one to suit the building.
  • Testing: you can see that the tiny strips of color-tests, applied close together, don’t provide you with much ‘information’ about how the color will look on the house. It’s important to test on large areas that you can move around the building at different times of day, on the different surfaces.  Testing your paint colors on primed card stock or even pieces of wood (ideally, using siding to replicate the shadows) is a better method that small swatches. Be sure to use 2 coats of any colors  you are considering.

 

 

View from the street

Overall, it's a big improvement!

View from the street. The colors of doors, porch and stair treads complement the roof color.

 

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Prior Case Studies »

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