In this section: a more in-depth view on a variety of commercial and residential exterior and interior projects, and rug design. The focus is on sharing the featured project’s client requirements and goals, design approach, methods and solutions, results, and responses.
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We’re familiar with the ‘old song’ about the difficulties that can occur getting 2 people who share a home to agree on design decisions.
As pleased as I was to be asked to consult with the owners of a historic Boston co-op building, I was equally aware of the challenges in satisfying the requirements of a group of property-owners sharing a very real interest in the same building. The subject of my work for them was to create a new color palette for the lobby and vestibule of their 1924, “classic Old-Boston” building in the historic heart of Boston.
Historic Building in Boston
The Challenge.
My first meeting with the property owners included at least one person representing each unit. After our introductions, we had a vibrant dialogue that consisted primarily of their expressing personal likes and dislikes. Starting with the existing bright yellow in both the vestibule and the lobby itself, opinions were effusive and diverse! “I Hate Yellow! “ “I’d Kill for Yellow!”
First view upon arrival
Well, the fact is that the existing color Was yellow, in the lobby area as well as the entry vestibule. The dialogue continued, then, with a review of the purpose of my working with them and defining the goals. Having listened to…and Hearing…their concerns, I described the approach I would take to meet the goals.
The Process.
Basically, it came down to “what is best for the building will be best for the group.” This is a good example of communicating when it’s necessary to leave the individuals’ strongest color preferences in their own interior spaces. As a core belief I hold for this kind of situation, it was my consistent emphasis at that time and throughout the entire extended process of the renovation.
During that first day, I selected a variety of colors to create an overall palette direction. I focused on a range of warm and cool “earth-tones” with a few accent colors as options to consider.
The points that were the focus of my approach in meeting their requests included:
The Spaces.
I was asked to consult about paint colors for “a lobby.” When I arrived at the site for our first meeting, I discovered something a bit more complex. Yes, only two spaces–not one. But what a pair!
Timing is important!
Because the color selections were just one part (but, a critically important part!) of the process of the extensive renovation of the space, it was good to be brought in at the beginning of the process rather than right before the painters were to start. I visited the site throughout the construction process for color-plan reviews with the group’s point person. Actually sometimes 2 or 3 people met with me but that was a good thing to continue to communicate and confirm our direction and the ultimate selections.
After developing the main palette for the two spaces, which included a variety interesting, yet conservative, colors, they asked me to add an alternate palette they described as “bolder, brighter, and ‘cheerier’.'” Remember, they are coming from …bright yellow.
Entry vestibule
Coming in from the street, the vestibule has some natural light–but of course being very dimly lit at night with limited light sources. Lots of an almost-pink color marble, high ceiling, beautiful black, wrought-iron crafted doors. Bright yellow walls!
The Lobby Area
A long, narrow rectangle – you enter on the long side. At each end of the room there’s an entrance to an individual condo. Each of the upper stories of the building has only one unit per floor. The walls are divided into sections with moldings framing mural panels. The walls below the chair-rail molding are divided in the traditional manner with sectioned frame-style molding.
Yellow walls, overhead fans with lights, and 2 table lamps make the yellow walls even more glaring
The Murals.
As it happened, and what came out in conversations, people had reactions to the murals that were as strong as their feelings about the current yellow wall color! Some of the owners even said they had never really liked the murals.
But most were wanting to keep them, so the questions became: How to select a color that will support the hues and tone of the mural panels, yet not have to “match” anything there?
One of the mural panels, with yellow walls and white trim
Near the murals, the space called for a particular color type.
The lower part of the wall had some other requirements because it was adjacent to the marble (same as vestibule) as baseboard, with a multicolored stone floor that had very different color indications.
Even though I intended to keep all the background wall colors very “neutral,” personally I thought that it could be interesting to pick up one or another of the mural colors in an accent…even a very thin pencil-outline around the mural frame, as if using a fillet in the mat and framing of artwork. I still think this would have been an interesting way to make the murals be more like individual fine art pieces, since they were each already framed as if they were individual paintings.
We also briefly considered a variety of decorative treatments that would have been completely appropriate to the space, the history, and the architecture, but budgetary considerations brought us back to the paint-only model.
The Floor.
In any location the floor is usually a large portion of visible surface. Even with furniture in a room, it’s a big consideration in any space because, after all, it is at the base of what every other surface relates to in some way, either perpendicularly or parallel.
Stone floor, in reality it's much more attractive than when it reflected yellow from the walls
In this case, the floor was a very distinctive coloration when you look closely at it. Some very deep green-black tones as well as the more warm, sandy colors made up the stone floor that at the time of our meeting was mostly covered in a strong, dark green utility rug.
The Stone.
In the entry vestibule, we have an entirely different situation for materials.Well, not 100% different—because the marble that was used in this area was also, as it happened, used in the lobby area as the baseboard.
Because of the large portion of this marble, and also a granite landing at the head of the steps going into the lobby, I wanted to introduce a slightly different combination of colors in the Entry vestibule. I looked for colors that would visually connect with—not isolate from—the actual lobby, yet using I wanted colors that were also more appropriate to the lighting and materials in this area specifically.
Vestibule marble is the same as baseboard in lobby
One of the parties had a personal request to see something like a very pale pink on the walls with a grayish greenish white on the trim–or even perhaps perhaps a stronger color like “a soft orange, with a cream trim.” She mentioned it being difficult for some people to go from bright yellow to “gray,” so they wanted to see a brighter, more vivid, option. Having no problem with this I did present another palette that would also represent the goals for this space. Ultimately they selected one of the original color combinations.
The Lighting.
Knowing that there would be an entirely different lighting setup once the construction was done–yet working in a very yellow, low-light situation during the entire paint specification process, was interesting. It required quite a bit of imagination and awareness of the impact of lighting on how color will really ‘look’ in a particular area under different conditions.
I had no real examples of the specified lighting, where I could refer to my actual painted color cards for a representation of my palette in the renovated space. I just knew somewhat the type and basic “color” of the specified lighting. It was helpful to consult with the lighting designer for this project, Doreen LeMay Madden of Lux Lighting Design, about what I might expect, in general, from the lighting plan she had created for this space.
Getting Married
All these elements that were not really so noticeable at first glance, with the overpoweringly hued yellow walls and the inadequate lighting. But when you take away the distractions of the extreme yellow and the green rug, the marriage had to go forward into a future of the two spaces having compatible and complementary, harmonious existence!
Ellen Kennon Full Spectrum Paint helps it happen!
View from entry vestibule into the lobby
View to the same end of lobby as above. Dark section on wainscot is the original decorative radiator grille.
Lobby and murals view.
A client comments, representing the group:
“The colors look very very nice!
I would say the overall response has been good! No major complaints at all, and most of us feel it looks clean, sophisticated, but still traditional. The gray appears much more blue /gray – almost lavender, which I personally like.
Mentally, it is hard for a few to see that the gray is actually lighter and brighter than the previous yellow but I think they are adjusting to that, however , the new pendant lights and the full spectrum paint will in the end make the lobby lighter and brighter – perhaps not as ‘cheery’ anymore, but very pretty.”
It’s True
Change can be hard. Any color scheme that we have lived with for many years can, even with a desire to change, be a hard thing to give up. Even if we Love the new colors, it can be hard. Put that together with a group of individuals who each needs to participate in the process (it’s their home after all, even if it’s the lobby), and the issue is communication as well as color! With an office building it’s less about the individuals and more about what the owner needs to accomplish.
The Results!
Happy Building, Happy Clients!
A “spokesplace” so to speak, for the unique qualities of Ellen Kennon Full Spectrum Paints.
The owner of this 1950′s custom home wanted to create a great view of his house from the street. True, the house is in a commanding position at the upper crest of a hill on a corner lot where two streets meet. It’s almost like a punctuation point, since the house is visible as soon as you round the corner.
Originally white with mauve trim, the house is surrounded with homes for the most part “colonial” with taupe, brown, or beige siding.
View from the street - click to expand image
The owner’s goal
The owner wanted to make his home a showplace without it standing out too much. In other words, Stand Out as unique while serving as a focal point and complement to the neighborhood.
Note: existing vertical siding on two sections.
Each of these two areas in the updated home will have new horizontal trim band to separate it from the lower portion. Also: new shutters will be made and all windows re-glazed. Old stone of chimney is an eyesore against the white background.
At our first meeting
The owner expressed his interest in making the house ‘stand out – but in a good way” – among the more traditional “colonials” of taupe, tan, cream, and brown. His father had built the house and he was interested in respecting the “bones” of the house and the quality of it’s construction.
It was also of primary importance to him that his home have an aesthetically pleasing view from the street since it is on a corner with an expansive front lawn. In the winter, of course the yard is not so beautiful and he wanted the house to look great even when the yard did not look its best due to the winter weather.
At this time, he showed me his ‘favorite’ paint colors that he’d selected. It’s always good to know what people like, yet it’s essential to not be bound by their preferences. He was open minded and detail-oriented, which I enjoyed, and which helped the process.
Next, back to the studio, where I printed out the many photos I’d taken at our meeting. When use my initial digital photos expanded in larger black-and-white images, I can work with them to visualize the new color palettes. I can also sketch on the photos as much as I have to, to develop the paint palette.
Our next meeting
The objective of our second meeting was to review the colors and distribution of a couple of the palette options I’d developed based on our first meeting and a few calls and emails between meetings to confirm the direction. Meanwhile, he’d had a chance to look at all the color ideas on his own. At this meeting I also brought a number of larger paint sheets with me and we finalized the selections.
Then, back at the studio
I created a digital ‘color sketch’ based on our palette selections. This digital imaging is often a good way to communicate the paint scheme before actually doing the work.
Finally, the painting was started…and efficiently completed!
He’d had the carpentry work done, to trim the vertical siding edges and install the horizontal trim, and also have custom shutters made and painted the new color.
The owner emphasized his interest in creating a coordinated “look” between the exterior and the interior, which he had previously painted. His enthusiastic comment: “When you’re inside, you see the outside. People have commented on the great blend and relationship of colors inside and out.”
Interior view, existing colors
The owner’s question—and his responses
His question: “Color is the first impression someone has. Does it fit?” And he answers: “It’s Spectacular! Really, Really, REALLY came out great! It’s not the same house at all. It’s that dramatic !”
Owner: "The bay windows look twice the size as before – the colors highlight each bay even from a distance."
He continues, “the house is ‘one of a kind,’ and now it looks it. I tried numerous times to pick colors but it was never really right. Anyone could have painted the house but not just anybody could have picked the colors like this.”
“The colors you picked are Perfect!”
Accredited Color Consultant, IACC International Association of Color Consultants / Designers
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