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Bio-What? Add Nature to your Life and Feel Better Now

Biophilia.*

It’s not quite a “household word” yet, but is definitely becoming a regularly accepted fact: including as many references to “nature” as possible—in any kind of space—leads to more healthy living and working environments. How this plays out in a very real, practical way is documented in some very interesting articles.  You might say, it’s  even a matter of common sense—and dollars.

We humans need to be connected to nature.
We hear this so much that it borders on sounding trite. But it’s an innate aspect of our biological makeup—we’re “hard-wired” with this need, and it’s a good one. The very real, physical concept of Biophilia brings it into a larger scale of relevance; architectural projects ranging from a variety of workplaces, manufacturing, offices, and especially health care, can reap the largest-scale benefits—from improving their financial conditions to creating more socially healthy civic communities, in general.

According to a fascinating short article I recently read, * ‘Biophilic Design Could Save Millions of Dollars,’ including more vegetation in cities would visibly reduce crime rates “7 percent,” and subsequently save tremendous amounts of money “in incarceration costs from violent and property crimes.”

At this point you might be saying…Ok, that’s interesting but “What About Me? What can I do in my own home go introduce a more nature-relevant quality?”

beach view

How would you use this image as inspiration for creating your own nature-based color palette?


Even on a smaller, personal scale

there’s a huge benefit to creating associations to nature. Whether you have a small rented apartment, or a condo or home of any size that you own, you can really make a difference in the lives of yourself and family members.

So, on to a few quick comments about using color in your home or workplace, to help introduce some more natural qualities in addition to the houseplants you might already have, and your garden (which are a great start, by the way). We’re back to often-discussed topics included in what I often talk about: Supportive Color Design.

  • Lighting: incorporate as much natural lighting as possible. Be sure to test your paint colors in all available lighting condition in your setting.
  • Color: Specifically the benefits of using Full Spectrum Paint: Eliminate black and gray from your walls. Full spectrum paints using a minimum of 7 tints in each color will get you the closest to the colors of sunlight–at least as close as you can get considering it’s paint.
  • Shapes: Beyond the typical room shapes, look at shapes in nature and see how you can bring those elements into your own home.
  • Space design: Creating a comfortable and supportive interior environment: arrange your furniture and other decorative items in an orderly and balanced way for maximum comfort, taking into consideration their sizes, shapes, and placement in the space.

From the original article titled “The Economics of Biophilia” prepared by the environmental consulting and strategic planning firm, Terrapin Bright Green,  is this statement by E.O. Wilson, the person who defined Biophilia:

Biophilia is the innately emotional affiliation of human beings to other living organisms. Life around us exceeds in complexity and beauty anything  else humanity is ever likely to encounter.” – E.O. Wilson, 1984

Image courtesy of FIGUURA, from the Terrapin Bright Green article.

How do contemporary designers incorporate Biophilia in their own work? In ways not specifically “interior design” but even in specific products used in interiors. Wall coverings, office cubicle textiles, and the drapes in hospital patients’ rooms are just a few. Textile designer Laura Deubler Mercurio, whose work is shown in the image below, is a long-time colleague of mine through the IACC (International Association of Color Consultants). She is completely involved in Biophilic and fractal design, creating exciting, beautiful and thoughtful designs for woven textiles, that are used in the three types of locations I just mentioned.

fabric design by Laura Deuble-Mercurio

Fractal studies have inspired Laura Deubler-Mercurio to design fabrics for hospital use.
Her textile designs are based on our senses relating to fractal divisions in nature.

Personally, I’d heard about Biophilia many years ago, and since then that awareness has had a significant connection to my own approach to Supportive Color Design, that applies to interior or exterior color design. Thanks to Eco-Structure.com, a publication of the AIA, for bringing this in-depth article to my attention.

What you’re reading in this post is intended to encourage you to read the entire, original article that you can download from the Terrapin Bright Green web site.


When More is Better: Exterior Color Ideas

Speaking of  your new house colors…What house colors are you planning to use? It’s time to evaluate your home for a new look.
Is it for a complete repainting of your home or other building, or maybe adding a few accents to bring some “snap” to your existing color scheme? Even a house with a conservative, subtle color palette can benefit from a small adjustment.

A few tips for individual homeowners and building professionals
When you start to think about colors for painting your existing home, a renovation, or new construction

Homeowners: new colors for any size home
From  a small Cape Cod style house to a Victorian mansion, your best color choices are the ones you carefully consider.

  • Assess the current condition of your siding, eaves, other trim and architectural details.
  • Porches are a great place to introduce new color: Floors, Ceilings, and Trim.
  • Alcoves, niches, window seats: all are candidates for minor revisions with color and sheen.
  • Even homes with less architectural detail will be more elegant and distinctive with the right color additions.
  • Are you planning some landscaping? Coordinate your house color with property updates.

Builders: Single family or a development
Building a single Spec-house, or an entire neighborhood? There’s a lot to consider when it comes to color.

  • Multiple, adjacent homes do not have to be made in the same color schemes
  • The colors you use have a lot to say to–and about–the buyers you attract.
  • The best color plan will include all your building materials to create the most interesting and appealing properties.
  • Color is what your customers will notice first. Make it count!

This picture of three houses show examples of different color schemes applied for one house, from more conservative to more dramatic.
3 color schemes, one house

Now can be the time that you expand your own color-horizons.

  • You can break out of the typical format of “3 colors” for your home.
  • Keep your house colors harmonious with your surroundings, appropriate to the architecture of your own home, and fitting in the neighborhood. All are important.
  • The key is to use the right colors in the right places, where tasteful and imaginative colors will enhance a simply-structured house as well as one with multiple architectural elements and embellishments.

Designer Color Palettes: See what your home, or other building, will look like before you paint!
In addition to my architectural color services for any type of building, inside or out, I’ve added an exciting new service for individual homeowners and other design/build professionals. With Designer Color Palettes, we’ll use colors you may have already selected but want to see how they will look. We’ll  add a few of my own recommendations, or even show you your house with colors that I’ve selected for you at your request. You can direct exactly what you want to see, and what you want help with.

Don’t be left out in the cold…Weather, that is.
Beautiful days inspire us to get out the paint brushes for a new Spring look. But first, register at the D+D web site and read this important article from Durability + Design.

Share your favorite house colors! What are they?
Let us know!


Ready for exterior color?

Following the last post here about price of paint and Titanium White (a major ingredient in house paint products) I want to share this article with you.

From the magazine Period Homes, it’s titled “A Primer on Paint,” and offers a detailed view of trends in paint products. It’s not about ‘color trends’ but rather about the actual development of paint products.

It's the pigments that make color visible. Aren't they beautiful? Kremer Pigments manufactures pigments from natural materials to create a wide range of historically authentic paints and finishes. Photo: courtesy of Kremer Pigments.

Major paint and pigment manufacturers are featured, with comments from Benjamin Moore, Sherwin Williams, Behr, Fine Paints of Europe, and Kremer Pigments.

If you have been wondering about Waterborne – vs. – Oil based paints, differences in paint qualities, “VOC’s,” and pigments, be sure to read the article. You will also glean a few tips from color consultants James Martin and Barbara Jacobs (Yes, I am honored to be included in this article).

I hope you enjoy reading it, and perusing the magazine, in general.

color design by Barbara Jacobs Color and DesignFrom the Period Homes article: photo by Barbara Jacobs

Do you have a “Period Home?’ What are the joys and challenges?  What do you love the most about it? Let us know about your experience.


Carlo Scarpa



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Check out the ColorViews Blog post for more about this subject.


Do you love Architecture and Color? Meet Carlo Scarpa

If so, check out this book about Carlo Scarpa.

I was first introduced to the work of Carlo Scarpa by the renowned Boston-area architect Paul Lukez. In a conversation with Paul about color in architecture, he immediately went to his bookshelf and brought forth his copy of this book.

Carlo Scarpa - book cover image

Even now, looking through my own paperback copy, I get the same thrill seeing the forms, textures, and colors that Scarpa used in the variety of his work. It’s really an extraordinary example of color + form working together to create a higher-level space.

GavinaShowroomBologna 1963-bookpage 116

Image of Gavina Showroom, Bologna, Italy: 1963 (from page 116 in the book)

A Taschen publication, even the paperback is high quality. The interesting essay by Sergio Los, illustrated by the beautiful photographs of Klays Frahm, will bring you back time and time again to enjoy the spaces. For me: “wish I could see this in person!”

Do you have a favorite book (more than 1 is ok!) on design, architecture, color, and related topics, that you would like to recommend? Let me know!


“Yellow,” she said! And, 3 tips for exterior color selections.

It’s not often that a client is adamant about a house color. At least not to the extent of being so fixed on one color family that all others are not available for consideration.

With that caveat, I began to look at various yellow paint colors for the exterior of a Victorian home in a Boston-area suburb.  Not only was the only option to be “Yellow,” but the painting was going to be done by an area company specializing in a ‘never-paint-again!’ method, and so it had to be the right yellow to last…and last…and never be changed.

Back of house view - Before painting

One view, from the back of house, "before." Note existing color-testing by the owner, on the siding

Originally built as a single family house, as were most structures of this general style, this house has been made into apartments.

Original colors and some testing

Stuck on Yellow, the owner had done a few swatch tests and come up "empty."

The house was already yellow…

The house was already mostly yellow

Before: looking for the right change to make the difference

Selecting a different yellow for the body, with a more subdued color for the doors and an earthy color for porch floor and steps, was not a huge color change but it was a significant one overall.

The new palette: Sherwin Williams colors

  • Body: SW 6374 – Torchlight
  • Shingle accent:  SW 2817 – Rookwood Amber
  • Window and door casing trims, and stair risers: SW 6372 – Inviting Ivory
  • Porch floors and stair treads, front and back: SW 7053 – Adaptive Shade, a stoney gray
  • Front and back doors: SW 6278 – Cloak Gray, a deep plum

    Sherwin Williams Colors

    The palette: all from Sherwin Williams. Note: your monitor will not look like mine so please get the actual paint colors to test them.

Newcolors, almost done - but lacking the detailed accents

New colors, almost done - but lacking the detailed accents

I had specified Rookwood Amber to be used on the details of millwork as well, which would have been a lovely detail, and would not have appeared over-decorated. Some of the column detail was done, but other details that were to have been done on the peak trim and some of  the other decorative millwork would have completed the picture.

Ultimately of course it’s up to the homeowner, who is the person hiring the painting contractor. Sometimes the finishing touches are omitted due to the budget constraints and the result, even if beautiful, seems to be missing something.

Three quick tips

  • In homes with architectural detail, consider using color in the architectural details as a way to add balance and refinement. “Painting out” the detail sometimes works but the inclusion of the right, subtle color can make a world of positive difference in the overall appearance of your home.
  • Even a simple color change can make a big difference. In this case, where Yellow was the only color family considered, it was a matter of getting the right one to suit the building.
  • Testing: you can see that the tiny strips of color-tests, applied close together, don’t provide you with much ‘information’ about how the color will look on the house. It’s important to test on large areas that you can move around the building at different times of day, on the different surfaces.  Testing your paint colors on primed card stock or even pieces of wood (ideally, using siding to replicate the shadows) is a better method that small swatches. Be sure to use 2 coats of any colors  you are considering.

 

 

View from the street

Overall, it's a big improvement!

View from the street. The colors of doors, porch and stair treads complement the roof color.

 


Got Color? No More Neutrals…Get Gaudi!

A long winter..”neutrals” got you down? Fret no longer, Get energized with Gaudi.

Antonio Gaudi

No, it's not a dragon—it's a building. From: Complete works: Gaudi / by Aurora Cuito, Cristina Montes. This image from the book is by Pere Planells

Exquisite photography and detailed descriptions of sites provide a compelling entree into the Gaudi world. As an architectural color consultant I particularly enjoy Gaudi’s bold, personal style of color in architecture. I’m happy to have the English edition so I can actually read the text!

Next stop…Barcelona!




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“Apples to Apples” Tips for a Successful Paint Project

I’m so relieved to know more than one excellent painter I trust, whose presence in my home is at the very least pleasant and unobtrusive, who is orderly and respectful of my personal environment. Personally, I’m more comfortable with someone working in my own home–or in homes of my clients–who has a fairly low profile on the job site and is focused on the project at hand.

You’ll probably also want to feel comfortable with people in your  home even though you don’t know them well. There might be times when you are not there, but the project must go on!  Even though it’s temporary, their presence is a part of your life. Some of these things you can infer when you meet them, and some things you might just have to ask directly.

Apples to Oranges?

Trying to level the playing field can be tricky, because when you start to interview your painters you find that each one can have perfectly reasonable explanations for practices and processes. If you develop a way to keep track of comments and suggestions, and balance that with your own list of project requirements, you will have something to review to try to make “apples to oranges’ into “apples to apples,”  to make your best-informed decision.

Here are a few questions to start with:

How long have they been in business?

Don’t be shy–ask for references.

Do they work alone or with others?
If using a crew, will the owner be available for questions, follow-up and supervision? This will have a lot to do with your level of satisfaction and confidence.

What brand of paint do they use?
You may want to just take the painters recommendation for brand, but you should also feel comfortable discussing this, and specifying the brand you want.

Painters often suggest substituting brands with “we can mix any color in any brand.” However, paint companies have base materials that differ and this can affect the outcome. For example, it’s simply not possible to replicate a “Full-Spectrum “paint color in a non-full-spectrum method, no matter how it looks on a small piece.

Three questions about preparation

  • How would the painter treat mildew areas?
  • Will the painter plan to fill all holes and caulk seams?
  • Will the painter be sanding the walls for a smooth finish?

What is the painter’s typical procedure?
General painting practice specifies two topcoats and often a primer/sealer coat. Does the painter plan to prime the walls under the color coat? Some topcoat colors require a tinted primer.

How many coats of finish color do they recommend?
What kind of paint for ceilings and walls? In most cases, flat finish paint is best for ceilings. However, the paint that is used for walls is often a higher quality than “ceiling white” especially if a tint or stronger color is used.

Contracts are essential
The purpose of a written contract is to make sure all parties understand the scope of work, with clear explanation and details about surfaces to be painted, preparation, methods of working, time schedules and payment procedures for the project. Once you have met the painting contractors in person, this is the best way for you to evaluate the different proposals you receive. Equally important, it protects both you—the client—and the contractor. Reputable contractors will encourage the use of a written contract.

Last but not least: remember these important documents
Do they carry commercial liability insurance?  You can request a certificate of insurance from the painter’s insurance company.

As with most home repairs and other big projects, aligning the details in advance will set the stage for a better experience.

Do you have a question you would like to see addressed here?
From time to time my blog will include a specially selected Q & A item. I’d love to hear about your projects.
email: info@integralcolor.com


Creating Curb Appeal

Filed under: Architecture,Books,Exterior Color — Tags: , , — Barbara Jacobs @ 2:33 pm

Creating Curb Appeal (Paperback)

By (author) Michelle Valigursky, Lisa Vail

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In tough real estate times we need all the help we can get in making our homes attractive. Creating Curb Appeal by Michelle Valigursky & Lisa Vail, with photography by Theresa M. Grant, is a beautiful and affordable resource for anyone interesting in creating a beautiful home exterior. I’m pleased to have been included in the Living with Color chapter of this publication!


Curb Appeal: Updating a 50′s custom home

Residential Exterior

The owner of this 1950′s custom home wanted to create a great view of his house from the street. True, the house is in a commanding position at the upper crest of a hill on a corner lot where two streets meet. It’s almost like a punctuation point, since the house is visible as soon as you round the corner.

Originally white with mauve trim, the house is surrounded with homes for the most part “colonial” with taupe, brown, or beige siding.

<p>View from the street</p>

View from the street - click to expand image

The owner’s goal
The owner wanted to make his home a showplace without it standing out too much. In other words, Stand Out as  unique while serving as a focal point and complement to the neighborhood.

<p>Unique home need new colors - detail view</p>

Note: existing vertical siding  on two sections.
Each of these two areas in the updated home will have new horizontal trim band to separate it from the lower portion. Also: new shutters will be made and all windows re-glazed. Old stone of chimney is an eyesore against the white background.


At our first  meeting

The owner expressed his interest in making the house ‘stand out – but in a good way” – among the more traditional “colonials” of taupe, tan, cream, and brown. His father had built the house and he was interested in respecting the “bones” of the house and the quality of it’s construction.

It was also of primary importance to him that his home have an aesthetically pleasing view from the street since it is on a corner with an expansive front lawn. In the winter, of course the yard is not so beautiful and he  wanted the house to look great even when the yard did not look its best due to the winter weather.

At this time, he showed me his ‘favorite’ paint colors that he’d selected. It’s always good to know what people like, yet it’s essential to not be bound by their preferences. He was open minded and detail-oriented, which I enjoyed, and which helped the process.

Next, back to the studio, where I printed out the many photos I’d taken at our meeting. When use my initial digital photos expanded in larger black-and-white images, I can work with them to visualize the new color palettes. I can also sketch on the photos as much as I have to, to develop the paint palette.


Our next meeting

The objective of our second meeting was to  review the colors and distribution of a couple of the palette options I’d developed based on our first meeting and a few calls and emails between meetings to confirm the direction.  Meanwhile, he’d had a chance to look at all the color ideas on his own. At this meeting I also brought a number of larger paint sheets with me and we finalized the selections.


Then, back at the studio

I created a digital ‘color sketch’ based on our palette selections. This digital imaging is often a good way to communicate the paint scheme before actually doing the work.


Finally, the painting was started…and efficiently completed!

He’d had the carpentry work done, to trim the vertical siding edges and install the horizontal trim, and also have custom shutters made and painted the new color.

<p>New colors for this unique home.</p>
New colors for this unique home.

The owner emphasized his interest in creating a coordinated “look” between the exterior and the interior, which he had previously painted.  His enthusiastic comment: “When you’re inside, you see the outside. People have commented on the great blend and relationship of colors inside and out.”

<p>Interior view, existing colors</p>

Interior view, existing colors

<p>Detail view</p>
Detail view

 

<p>Alternate view from the street.</p>

Alternate view from the street. Owner states that now, the roof color works well with the rest of the house. Same with the chimney color.

The owner’s question—and his responses
His question: “Color is the first impression someone has. Does it fit?” And he answers: “It’s Spectacular! Really, Really, REALLY came out great! It’s not the same house at all. It’s that dramatic !”

<p></p>

Owner: "The bay windows look twice the size as before – the colors highlight each bay even from a distance."

He continues, “the house is ‘one of a kind,’ and now it looks it. I tried numerous times to pick colors but it was never really right. Anyone could have painted the house but not just anybody could have picked the colors like this.”

“The colors you picked are Perfect!”


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“Enjoy the Process: Guidelines for Working with a Design Professional.”

 



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