We’re always so busy in our daily lives — both personally and professionally–that we don’t often pause to really think about what was happening in the very, very early times of human development and how it might relate to us today.
I remember when, as a child, one of my favorite subjects was “cave men” and how they lived. Those early cultures held a mysterious fascination for me. OK, so I’m actually a frustrated archaeologist!
When the recent New York Times article on the amazing discovery of a “100,000-year old paint workshop” came to my attention, I not only enjoyed reading it but was compelled to emerge from a sort of “Blog-out” of being absent from posting for quite a while.
This is what it made me think about, to start with:
- Symbolic use of color in many cultures
- Who made the color decisions “way back then?”
- What was the “psychology” of those early people and how did the arrive at their discoveries and uses of color?
- How did they continue, over time, to make new pigment discoveries and record them?
- How were the colors communicated from one group to another, and
- Did they have what we call “personal preferences?”
I’m sure the answers to these questions are elementary to the people who make this study their life’s work.
But this discovery feels like a jolt to the modern world of design, fashion, color trends, and modern paint techniques. If we are open to it, we’ll appreciate new dimensions in our current way of thinking about color, pigment, and paint mixing. Organic color sources of many types are at the foundation of modern paint colors that we use most often in our own home decorating.
Another way of looking at it is as another example of the connection between art and science and, in this case, history—literally!
Image source: New York Times
Grethe Moell Pedersen
But what do you think?
And, what do you know, for a “fact”?
If you do read the article, be sure to go to the readers’ comments there, which are fascinating and informative as well!
I”ll certainly be interested your thoughts, too.